Despite the fact that I have only a few days left here – boo hoo – I’m starting some new projects. I might not have time to resolve them fully, but it’s exciting to see new directions opening up.
Though the ‘Rodeo Project’ (working title) isn’t entirely a new direction. It harks back to my first Australian residency in Hobart where I made Correspondence, which turned out to be the first in the Genius Loci series of works which aWay station is definitely part of.
I’ve been collecting stones along Rodeo Beach. I tried to resist but it’s impossible!
These stones with quartz veins through them drew my attention. The strong contrast between the quartz and its matrix conjures thoughts of larger landscapes or the foam of the nearby surf. I enjoy this fractal quality – the tiny reflects and embodies the huge and vice versa.
All of the work I’ve been making in the aWay station has been using scale and medium translations often mediated through at least one digital technology. When I’m not building furniture, whittling or cutting out and lashing skin forms, I’m on my trusty laptop fiddling about with video, imagery, or 3-D models (and blogging of course). The digital seems to be where the forms, images and concepts are abstracted. The output might be purely digital or result in a second (or third) round of hand-work. I’ve become interested in the ‘artifact’ – both the tool and the coincidental characteristics that adhere to a certain technology – the facets left by a knife on a whittled form, the curlycue patterns and abstracted color choices resulting from live trace, the strange natural/technological double vision provided by zipties.
A collection of pebbles from Rodeo beach has been arrayed on the trestles for a few days. I was thinking about transposing them by hand with pen and ink illustrations that I would then modify digitally in some way. But I started fiddling with ‘live trace’ in Illustrator, which I experimented with during my residency at the Anderson Ranch Arts Center a few years ago. I want the final images to conjure contour maps, and some of the extraordinary close up images we have recently seen of asteroids. And for them to have that fractal quality adhere to them so that they reflect themselves at all scales.
I’ve started working with these two stones. Which I’m calling Rodeo alpha and Rodeo bravo – in honor of the former uses of Fort Cronkhite.
Here is just a sneak peak of the fine detail of some of the in-process images from Rodeo bravo.
You will have to come out to the Headlands this coming Sunday at 1pm to see the completed prints and to enjoy the other works in the aWay station.